revitalización cultural a través de la pintura expandida: una exploración a la identidad ecuatoriana.

Abstract

The degree project entitled “Cultural Revitalization through Expanded Painting: An Exploration of Ecuadorian Identity” focuses on how expanded painting can act as a powerful medium for the recovery and valorization of Ecuadorian cultural identity. This artistic approach is notable for its ability to transcend the traditional boundaries of painting, incorporating diverse media and techniques that allow for a deeper and more meaningful exploration of culture and identity. The research begins with a conceptualization of the artistic object, exploring the evolution of painting from its beginnings to its contemporary state. Expanded painting is presented not only as an art form, but as a vehicle for critical reflection and cultural expression. This practice allows artists to question and challenge pre-established narratives, promoting a critical dialogue about contemporary culture and the power structures that shape it. In the Latin American context, expanded painting has gained relevance as a tool to address social and cultural issues. Artists in the region use this art form to challenge hegemonic narratives and explore issues such as inequality, marginalization and violence. Incorporating elements of Latin America's rich artistic and cultural tradition, expanded painting becomes a medium for resistance and vindication. In Ecuador, expanded painting represents not only an aesthetic evolution, but also an active response to the country's cultural and social dynamics. Ecuadorian artists employ this practice to interrogate power structures, stereotypical cultural representations and social injustices. By integrating diverse media and techniques, these artists seek to expand the reach of art beyond conventional spaces, bringing their work directly to the community. In this way, expanded painting acts as a catalyst for reflection and debate on issues relevant to Ecuadorian society. A case study in the city of Machala illustrates how expanded painting can give voice to marginalized and challenged experiences. Through installations, performances and community collaborations, artists in Machala use their art to question stereotypical and simplified representations of local culture. These artistic interventions invite the audience to reflect on issues ranging from identity and history to politics and the environment. Expanded painting, in this context, becomes a medium for social and cultural change, fostering a critical dialogue about the community's past, present and future. The degree project highlights the relevance of expanded painting as a tool for cultural revitalization and exploration of Ecuadorian identity. By challenging the traditional conventions of art, Ecuadorian artists seek to generate a profound impact on the collective consciousness, using their creativity to question power structures and promote a more inclusive and equitable society. Expanded painting thus stands as a powerful medium for the recovery of cultural identity and the promotion of critical reflection in contemporary society.