La hipersexualización en la representación artística de la pintura expresionista

Abstract

The artistic processes come from the theoretical study arising from the investigation, that is, both the technical and the procedural, address a social interest that in this case is hypersexualition, the same that, through the mass-media and therefore Advertising as an instrument of persuasion has disrupted real changes in behavior among children, both in the way they dress and act, however in some cases the situation seems not to be controlled since parents are the ones who approve this type of behavior. With the advent of technology, the probability that a child has a technological device is real and therefore can access the networks, so it must be considered that media instruments or devices are objects that have replaced the toys with which children previously they were distracted through playful actions; Today the new toy for a child is called a cell phone or a tablet. Through the devices we know advertising content and children's programs that are inserted into the infant's imagination as stereotypes that increasingly become role models, hence we have a child audience that consumes fashion and contemporary iconography. The work of art in its purpose of becoming a communication instrument assumes commitments to its functionality through its symbolic elements. Aristotle argued that the work of art must have a didactic and political sense, the latter refers to its commitment as society. Politics cannot be reduced to a region of the social since the political, as a moment of inscription and configuration of social relations, is ubiquitous, deterritorialized, and emerges contingently. This opens the doors to perceive the emergence of the political in any space, regardless of whether or not it remains within the institutional terrain of politics (Capasso, 2018). According to Ranciere, the political in art allows communication in a free, simple way and without prejudice where the masses can have access, hence, the work includes understandable symbolic elements. In other words, the state and pedagogical that Aristotle maintains is linked to the political of Ranciere whose purpose is to serve the community disinterestedly. In the course of this investigation, social aspects are involved, such as the consequence caused by the media in the children's public and thus also the study of expressionism as an artistic trend for production, the history of art was reviewed and among them certain representative works due to their composition. and his personal style. To this is added the study of the work of national and local scope with representative artists of plastic considering that they have been taken into account in historical studies of national plastic. The procedural technical process covers from the beginning of the idea embodied in sketches and that the work is finally built in stages where non-substantial changes arise, in short, the investigation concludes with brief aspects and contributions that this work makes to the field of investigation, their recommendations for possible jobs.