Visibilización o invisibilización artística.

Abstract

In the current research project called Art and public space: "Visibilization or artistic invisibilization", has as its main objective the reactivation of historical moments of our city in the company of two transcendental scenarios of our life development period through our childhood, adolescence, adulthood and old age stages. This has conceived an important choice previously to be embodied, making a gathering of information of the sector to know the discomforts of each of its inhabitants and the overcoming of these same concepts at the time of its execution. A panoramic vision towards the identification of the intimate shortcomings in the artistic productions in our locality has led to deductions for research purposes and determination of a mural proposal to be executed in two murals with the themes of exportation with its homage to the banana monument and its complement in its second proposal being the majestic Cathedral heart of Machala. This has happened to the representativeness and interactivity with the general public. From its beginnings, muralism has highlighted the most conflictive and iconic moments of Mexico, covering the armed struggle imposed by communism, considered as an anti imperialist regime, overshadowing the rights and liberties of every citizen, covering the desperate cries of a society overwhelmed by so many injustices. Muralism was born as a source of expression, being a multidisciplinary language, merging the emotions and forms of expressiveness in greater boom. Possessing the clear background we begin the process of pre-production and production to be considered the space to be executed the artistic work. The dimensions to expose this work will be 3 meters high (300 cm) by 3 meters wide (300 cm) with a visual language of high contrast. The outline forms a mechanism of engagement and exaltation before the eyes of those who direct their gaze towards the murals. Once the knowledge of pre-production and production has been achieved, evidence will be taken to acquire a support before society and authorities, among the evidence we will have the sequence of execution of step by step in the construction of the muralism. This is a critical approach to collectivize formative criteria that leads to a collective analysis between society and artists.