"La pintura como propuesta artística sobre el surgimiento tecnológico en la comunidad del arte ecuatoriano

Abstract

In this artistic degree work, a research will be carried out that will give the origin, the point and the impact that the use of digital tools has entailed throughout Ecuador, these tools being a debate of how their use has entailed negative and positive consequences, formulating an investigation that allows reaching a reflective point that entails the realization of a work that proposes the exhibition of these events. Narrating from the origin of the entry of media, tools and their history in conventional artistic roles, and how they transformed their standardized maya in the corresponding field, addressing the evolution of Ecuadorian art and its transition to the digital age; the use of cutting-edge technologies such as graphic design software, digital tablets and 3D printers. Also analyzing the impact of online networks and platforms on the dissemination and promotion of Ecuadorian art using social networks and media with a global section, allowing the connection with a greater number of references and their connections. Addressing a critique of the challenges and controversies associated with the integration of technology in painting, how PAINTING AS AN ARTISTIC PROPOSAL ABOUT TECHNOLOGICAL EMERGENCE IN THE ECUADORIAN ART COMMUNITY affects the originality of art itself; how the impact of technology offers creative opportunities, optimization and speeding up of times, and raises the valuation of art in a world that has become increasingly involved in digitalization. Adopting in painting a stance of how Ecuadorian painters have adopted digital technologies in their artistic practice. Allowing contemporary artists to use graphic design software to create sketches and plan their works before capturing them through the field that develops; using as references a list of artists who managed the journey to the work, and how their postures and creations were pillars for the elaboration. This tries to understand the position of the Ecuadorian artist, and how he intends to achieve it in the pictorial field, suggesting the hybrid mixture that combines the best of traditional and digital techniques, in this case, being the use of acrylic painting. Using as a basis the experiment without forgetting the foundation of classical art that has defined Ecuadorian art for a long time, thus creating a space of cultural richness, identity and innovation that coexists in both concepts. The realization of the work, using a digital illustration software such as Procreate, in order to represent and optimize the development of it, and the impact between the idea of the elements that reflect a symbolism towards the IMPACT, put in a wide Playwoo support of 100x160cm, and attaching in use of the expanded field two supports of 30x35cm, where the proposal chosen as a result of the research would be reflected and adding the elements of regional symbolism, so that it would then be presented in various social sectors, where everyday life and both traditional and digital art abound, where local referents expressed their opinions towards these media and how they benefit or are overshadowed in certain aspects, either by the use of these digital arrangements, or the benefit of tools such as Artificial Intelligence (AI) in jobs, defending and attacking their positions among these characters.