El videoperformance y las nuevas plataformas de circulación en tiempo de pandemia

Abstract

In this document entitled, "Video performance and new circulation platforms in times of pandemic", consists of the artistic intervention based on combined languages ​​based on contemporary art that causes problems at the time of making an exhibition due to the situation current experience with the pandemic, which is an international issue. Contemporary art is key to language combined for acceptance by combining two objects and thus letting artistic interventions be more favorable when reaching the viewer. Taking this reference as an artistic object, it can be defined as a fusion of two or more branches to achieve its definition and the value it takes, in this case video performance and object art would be the fundamental basis of the work. The main objective of video performance is the interference between electronic objects with the art of our present time, taking the role of artistic mediator providing an overview of the project in development. The video fulfills the function of reaching more viewers and in this way the work can achieve the objectives it sets itself. Briefly, an analysis will be made of the national and international historical context of some relevant artists in the field of video performance, taking into account works similar to that of the subject to be treated, in order to know relevant historical and informative data to be considered. The content covers different compositions, from the aspects of video performance, history, fusion, the differences between the recording and the use of video, the review of important works of video performance and the artistic works that appear with the work of art under investigation. at work. The support for technology, the study of art is no longer only admirable but also becomes a work of art of the senses. Within the general scope, the data that are taken into account are sciences such as philosophy, sociology and psychology, those that will allow us to clear up all kinds of doubts regarding the work of art currently seen from these areas the relationship that must Keeping the viewer with contemporary works is essential, based on these fields, we can confirm it, as well as understand and express a personal point of view to the reaction of the public at the time of interacting with the artistic object, seeing the expressions on their faces and being able to presume that they may be thinking about that situation. Thus, the connection of the audience with the objective of the work that is presented both physically and virtually, since the reproduction of the video performance is given through a live transmission using the social network Facebook, giving the work an interesting twist by becoming users and not only in virtual viewers. Because although the social network is real, the system is connected in the current crisis which allows these devices to be created as the dominant connector. And in this case he has the ability to go to them and take advantage of their advantages, which raises doubts.