El vídeo-escultura como elemento de representación de la realidad, dentro del contexto local

Abstract

The present work of investigation named “The video - sculpture as element of representation of the reality, inside the local context”, reflects the interest of a problems that happens for unnoticed, but that simultaneously, it is a fundamental base of the history, such it is the case of the conservation of heriditary buildings inside our context. The video as an intangible element represented in a symbolic way with stills of heriditary buildings that are an entity inside the context and the sculpture of a tangible figurative way of a reality that every time in the modern age the architecture, it starts replacing element of representation of identity. The video - sculpture is an artistic redeemed form of significant form, using in a symbolic way elements identitarios with a critical - reflective speech that they are representative inside a context with problems, be already social, political or religious. He function to represent a sculpture that is taken of the hand with the video, is to obtain a wide criterion, on the forms that exist inside the art, as a painting, drawing or installation in the field of the art, this form supports a lineament on the way of expressing a fact or problems that it causes in our reality. This way the art opens to us the door to express and to show with artistic works, that social problem that is still present at present and that are not stagings for lack of interest or because heriditary laws are not fulfilled in our country. With a critical language and simultaneously reflective, this work of qualifications tries to highlight the changes of conservation of heriditary buildings inside the canton the Guabo and simultaneously to reflect the problem that they cause this displacement of heriditary loss. The intention of the present work is to come to the spectator with a metaphorical sense of the reality and symbolized across the video - sculpture, using materials that are representative for the society, since it is the wood that as principal source of identity towards the ancient buildings that nowadays are considered to be a heriditary entity but that pitifully in any cantons and provinces are not an acceptation of conservation, and on the other hand the concrete one that undoubtedly is the evolution of the architecture with major resistance but these buildings remplazan to a heriditary entity that passed several years of this conservation it is completely displaced. This way there are fulfilled the intentions that one raised so that this investigation could be carried out, as the first point, of analysis where it is inferred in the symbolic reflection of the local patrimony of the canton the Guabo, managing to emphasize the importance of the ancient buildings, as the second point, from comprehension who relates the processes of architectural modernization inside the frame of identity in our local and third context of application in producing an artistic work that integrates the video and the sculpture, on the importance of supporting a patrimony of visible identity. It is worth noting that the study in the different fields of art contributes a singularity to the study of a social problem, as well as the theoretical references that today are study of the moment as is the case of modern, postmodern and contemporary art, theoretical components that significantly favor the theoretical basis of the artistic proposal.