Rescate de la identidad cultural de Chacras

Abstract

The aim is to approach from the pictorial and representative appreciation the symbolic step of the Bolivarian heroine named Manuela Sáenz who in some way wishes to rescue the cultural identity of the Chacras parish belonging to Cantón Arenillas thanks to the historical research and oral information of its inhabitants. We have made an appropriation of emblematic equestrian pictorial works to be able to adapt it to our proposal of equestrian painting of the heroine Manuelita Sáenz, in the acrylic technique, that is to say, an equestrian portrait. The historical memory of this town, added to the collective imaginary represents a cycle of the culture of this territory. Also a form of the imaginary is recovered in a material identification, as well as evidence the archetype of the character as was the heroine Manuelita Sáenz. According to Edgar Morin Develops the concept of collective Imaginary: it is the set of myths, forms, symbols, types, motives or figures that exist in a society at a given moment, so this research work of scientific humility tries to rescue it through of pictorial art. In the first chapter that deals with the conceptualization of the artistic object.The research work is directed to the cultural identity that Manuela Sáenz left in her current parish, chacras; Through the investigation it is intended to address, how this Bolivarian heroine named Manuela Sáenz granted an important legacy to the inhabitants of said parish.